Education:
2014: Master Of Art, ICP Bard College, NYC
2011: Bachelor Of Art, GSA, University of Glasgow,UK
Artist in residencies:
2025: Fanøhuset, DK
2023: Det Danske Institut i Athen, GR
2023: Ole Haslunds Kunstnerfond, Ræveskiftet, DK
2022: Can Lis, Spanish island of Majorca, ES
2022: The Bergman Estate on Fårö, SE
2022: Svanekegaarden, Bornholm, DK
2022: Statens Legatbolig i Paris, Frankrig, FR
2022: Ole Haslunds Kunstnerfond, Ræveskiftet, DK
2022: Jeckels foundation Residency, Skagen, DK
Selected Group Exhibitions:
2025: Galleri Salshus, Påskeudstilling, DK
2023: KunstCentret Silkeborg Bad, Paper- A Cross Cultural Voice, DK
2023: Huset I Asnæs, En dialog mellem to generationer, DK
2023: Kasturbhai Lalbhai Museum, Paper- A Cross Cultural Voice, Ahmedabad, IN
2022: Lumières Nordiques, The Jumièges Abbey, Normandy, FR
2022: Galleri Kant, TERROIR - Summer Exhibition, Copenhagen, DK
2021: Birthe Laursen Art Agency, Fotografi, ART ROOM, Gilleleje, DK
2020: Kunstbygningen I Vrå, Photo meeting with Kirsten Klein, DK
2019: Selected for young Danish photography, The Photographic Center, DK
Solo Exhibitions:
2020: Villa Kultur, Copenhagen, DK
2018: 460 years, LILHA Art Residency, San Pancho, MX
2017: Prussian plastic, The Blue Planet- Auditorium, Danmarks National Akvarium, DK
2014: ICP-Bard MFA Studios, Queens, NYC
2011: Art Graduate Show, Mackintosh building, UK
Selected Grants & awards:
2021: Bodil Pedersen Fonden, DK
2021: Statens Kunstfond, Travel grant , DK
Recent Selected Publications & Press
Please Press Links;
2022: Blind Magazine
2022: France TV Info Culture & Art
2022: Le Jornal Des Arts France
2022: Fish Eye Magazine
2022: Relations Media
2022: ISSUU JOURNAL
2022: Aisne nouvelle article
2022: Lumieres Nordiques
2020: Kunstbygningen I Vrå
Artist statement:
Emilie Lundstrøm uses cyanotype printed on alternative materials as a way to circumvent photography's technical accuracy. The analog process's imprecisions (both deliberate and accidental) introduce painterly elements, destabilize familiar forms, and ask the viewer to reconsider that which they may have otherwise passed over. In his Principles of Psychology, William James quotes Hermann von Helmholtz as saying: "If we wish to keep our attention on one and the same object, we must constantly seek to find out something new about it, especially if other powerful impressions are attracting us away." Lundstrøm's cyanotype prints of sculptural forms from nature and portraiture open new observational possibilities, holding the viewer's attention and emphasizing the reciprocal relationship of viewer and subject.